【 内 容 】
・インドネシアの足文化を紹介するレクチャー
　（生活の中での足の使い方、宮廷舞踊やシラットなど伝統芸能の紹介）
・ 足の裏をほぐすワークショップ
　（マッサージ、色々な歩き方の紹介、庭へ出て土を踏む）
・ パフォーマンス鑑賞

【 Structure 】
・ Lecture on Indonesian foot culture
　(how to use feet in local daily life, introduction to traditional performance such as court dance and silat.)
・ Workshops to relax the soles of feet
　(Massage, introduction to some walking techniques, going out in the garden to build up the soles of the feet, etc.)
・Viewing a performance

　第2回のコンセプトは【線を曖昧にする】。インドネシアでは、中と外の概念が曖昧で家々の風通しがとても良く、家の中にも蟻とかがいるし、裸足で軒先まで歩いて行ったりもする。その緩やかさは人と人の関係性にも現れていて、コミュニティがとても強いのだけど排他的ではない。人それぞれみな違う事が当たり前だからそれが良い悪いとかの線引きを無理にすることなくただそこに共存できる感覚がとても心地よかった。
　そこでこの公演で「線」に捉われないゆるやかな空間を作れないかなと。始めは土足禁止だったエリアが、観客の足の裏が汚れていく事で、だんだん中と外の境界が曖昧になっていく様子が個人的に非常に面白かった。

　The second concept was to [“Blur the Lines”].
　In Indonesia, the concept of inside and outside is blurred, and the houses are very well ventilated. There are ants and such inside the houses, and people even walk barefoot to the eaves. This relaxed atmosphere is reflected in the relationships between people, and although the community is very strong, it is not exclusive. It is natural that everyone is different, so I felt very comfortable with the sense of being able to coexist without being forced to draw a line between what is good and bad.
　I wanted to create a relaxed space that is not bound by “lines” in this performance. I personally found it very interesting how the boundary between inside and outside gradually became blurred as the soles of the visitors’ feet got dirty in the area that was initially a no-foot area.